Busy day in the land of cinema: Agnès Varda's Faces Places, a lovely and incisive film unfortunately overwhelmed by an absence that's still a presence, @filmforumnyc.bsky.social 12:20pm; a timely screening of Abbas Kiarostami's The Wind Will Carry Us, which figures in my piece on the ongoing modern

March 30, 2026 - 14:42 UTC

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tradition of Iranian cinema, @metrographnyc.bsky.social 7:30pm; and Leos Carax's Holy Motors, one of the great works of auto-fiction, @nitehawkcinema.bsky.social Wiiliamsburg 9:30pm:
www.newyorker.com/culture/richard-brody/agnes-varda-and-jrs-faces-places-honors-ordinary-people-on-a-heroic-scale
www.newyorker.com/culture/richard-brody/dvd-of-the-week-the-wind-will-carry-us
www.newyorker.com/culture/richard-brody/in-the-garage-with-holy-motors
and
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www.newyorker.com/culture/richard-brody/leos-caraxs-astonishing-holy-motors
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