It's lonely, ugly and entirely the pointless butt of a joke. I love how humans are constantly portrayed no different than wandering cows & horses or pigshit swarming flies soon to be eaten by spiders, yet it still feels written with love rather than just spite or ridicule.

April 08, 2026 - 19:04 UTC

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I loved the long pacing. It let me exist in the room as if I was just another part of the conversation, sometimes even as a captive observer.
Its care to show mundanity and ugliness makes me feel like I or anyone else could easily be another character on camera.
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I liked the flat storybook diorama compositions and use of extreme foreground as page turns.
The use of wind and rain to represent destructive will and oppressive inertia was great. In general I loved the relationship between freedom and order toyed with in every chapter.
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