Storyboarder/Story Lead, sometimes animator, mostly comedy and such

Past clients: Netflix, The World Cup, Wegman’s

Currently freelancin’ at Spudgun/MASHED

Portfolio: Cara.app/chancesecond

Email: storyofchance01 @ gmail

Update: I can take work and I want work

Job: story artist/lead/directing
Currently: ???
Former clients: World Cup, Netflix, Feed Me Light
Preference: teen/adult action comedy

Focus: budget-friendly, quick

Stuff: here, Cara.app/chancesecond, insta chance_second

#lookingforworkanimation
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Just beep beep skrrrrt wait that guy has glasses and a shell on his back
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The best part of Yellow Taxi go Vroom is that they made so many dummies just running around, I’ve run over waluigi and the dad from Uzumaki at least twice
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It’s not buying out or selling in, it’s the piece working as intended and gaining an audience.
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It’s like people clamoring for heads when a punk band got a record deal, like yeah man this thing, it’s not yours, it was never meant to be just yours, it’s meant to be a piece to be viewed by a wider audience.
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Glitch getting a theatrical run makes sense, fathom tends to do that and since the series is over there’s not a lot to complain about, there’s probably gonna be a physical release at some point. It’s distribution.
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Reposted by Chris “Chance!” Brown
jaylender.bsky.social's profile picture
Squidward's Mythological Madness roughs

10/14
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“Is the only intent for right wing media to make hard edged strictly straightforward statements or is it also softening and making weaker/obfuscating the original argument” because it is both
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Because Set A Watchman was labelled as a proto-novel, handling scout’s reinterpretation of events and doing so a bit heavy-handedly, and it having a questionable situation as to lee’s actual authorship, that’s where you start
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I remember teaching To Kill A Mockingbird and being told it was “dumb” by kids whose parents were uh…. Not Great at racial relations
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There’s a couple things, but a real easy one is to discuss the shift between To Kill A Mockingbird and Go Set A Watchman, and how the interpretation of text can be manipulated over time
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It is six dollars and it is loud dumb and crunchy
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I worked out today, I will get Yellow Taxi Goes Vroom on sale
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Reposted by Chris “Chance!” Brown
chancesecond.bsky.social's profile picture
Elric, pirate
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Reposted by Chris “Chance!” Brown
chancesecond.bsky.social's profile picture
Clearing out the photos on my phone, here’s mad max, Redfield and strontium dog from some indeterminate age
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Like watching a PWHL game? Sure, sold, what’s the (checks second half) no I’m okay
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Can you not type up your AI flyer at least
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In case you want to subscribe to my newsletter or work with me
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Good thing about today: combined my iso proteins to make ecto cooler and I’m calling it science
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Reposted by Chris “Chance!” Brown
trudicastle.bsky.social's profile picture
Welcome back to the Artemis II crew :) Such a huge relief watching them arrive safely!
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Reposted by Chris “Chance!” Brown
chancesecond.bsky.social's profile picture
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ThiS iS ThE OnLy WaY YoU’Re HiRabLe In tHe MoDerN AnIMaTioN InDusTry
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You don’t need to do that, we have people for that, they’re more skilled than you at doing where their job starts and yours ends
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Sorry to go full Tim Robinson but the thing about preproduction is that it isn’t production, it has pre right there in the name, so training bridging pre into production when there’s more than enough people handling production is a waste of time
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