When my son (trombone player) played alto sax one summer in jr high, he “read” the music in bass clef and just learned the corresponding hand positions. His attitude was “I will never need treble clef again, why bother?”
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This is actually pretty sensible, I think? At least, as a bassoon player I used to read alto and bari sax music like it was in bass clef, but adding three flats to the key signature, for automatic lazy transposition. Sounds like your son effectively did that in reverse!
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